Paul Thomas Anderson is, arguably, the finest American film director, currently working. Yes, he’s had his misfires (Inherent Vice and The Master most definitely have their longeurs) and he regularly fluffs his endings (the otherwise perfect Licorice Pizza literally...
Charles Vidor’s 1946 Gilda, which is screening in a new 75th anniversary print at the UPP this month, with its eponymous femme fatale central character; brooding atmosphere (courtesy of Carl Dreyer’s cinematographer Rudolph Matte) and dark thematic concerns is (in...
I have already written elsewhere about the work of Gene Hackman, one of the finest actors to emerge from Hollywood in the late 1960s and early 70s, but, lest we forget, there was also another great Gene to be found on our screens around the same time – the hilariously...
Whilst it was released 60 years ago, at the height of the cold war, with the Cuban Missile crisis a very recent memory for audiences at the time and with the similarly themed Sidney Lumet drama Fail Safe (which starred Henry Fonda and Walther Matthau) released a few...
Carol Reed is certainly one of the great British film makers. Up there with Powell and Pressburger, David Lean and Alfred Hitchcock although he is, arguably, less well-known. It was a trilogy of films in the mid 1940s which made him a force to be reckoned with - IRA...
“Lefty” filmmaker John Sayles wrote and directed an extraordinary run of intelligent, small-scale independent American movies in the 1990s and early 2000s. Not bad for a guy I first got to know as the scriptwriter of several low budget shockers in the 1980s, including...
They don’t call the 1970s, Hollywood’s “second” Golden Age, for nothing. Looking back upon the decade, it’s an extraordinarily rich period and one of the most interesting films from those golden years is playing in a re-mastered copy at the UPP over the coming months...
Mikhail Kalatozov is an intriguing figure. He confounds the oversimplification that in the USSR after the brief period in the 1920s when avant garde filmmakers like Eisenstein and Dziga Vertov made masterpieces, you could either be a compliant, unimaginative Socialist...
“We are living in a land where sex and horror are the new Gods.” So pronounced Holly Johnson, lead singer of Frankie Goes to Hollywood, on the song Welcome to the Pleasure Dome, somewhere back in 1984 (an appropriate year for such a prophesy). He wasn’t far wrong. We...
I was wondering if everything you can think of, is better up on the big screen, in, you know, a movie? Sex, for sure. Sport, definitely. Landscapes? Perhaps. Faces? Maybe. Beauty? Absolutely. Food? Now, there’s an interesting one. The recently released art-house...
Our beautiful art deco inspired auditorium can be found just off East Oxford's Cowley Road. We are open 7 days a week. We open the cinema and box office 30 minutes before the scheduled start time of each film, and the Box Office then closes 10 minutes after the film starts. We don’t show adverts, just a couple of trailers, so don't be late as the film itself starts very close to the advertised time!