About us

Oxford’s home of independent cinema

We are a community-owned independent cinema just off East Oxford’s Cowley Road with a single screen in a cosy auditorium. We show an eclectic mix of independent, mainstream, foreign language, and classic films.

Our beautiful historic art deco building dates from 1911 and still has the original box office window that opens onto the street. The cinema is run by a small but passionate team of staff and volunteers.

Inside the auditorium we have a small bar that serves a range of drinks and snacks before the film. We don’t show adverts, just a couple of trailers, so the film itself starts very close to the advertised time.

In 2022, the UPP became a community-owned business after a successful campaign in which over 1,200 local investors bought shares in The Ultimate Picture Palace Community Cinema.

Our community

In 2022, the Ultimate Picture Palace became a community-owned cinema after being purchased by over 1,200 dedicated film lovers.

Read more about our vision, our aims, and meet the committee currently elected to help run the business and to serve our community shareholder members.

Our history

The Ultimate Picture Palace is Oxford’s oldest cinema and one of the oldest purpose-built cinemas in the UK. Read more about our rich and varied history which dates back to 1911.

Meet the team

Micaela Tuckwell
Micaela Tuckwell

Executive Director

I joined the UPP in 2019 and as Executive Director I manage the business and work with creative partners, industry and funders both locally and nationally to champion the cinema and arts accessibility. I am currently a BAFTA Connect Member as well as a Trustee of Oxford Playhouse. I previously served on the Film Hub South East Advisory Board, part of the BFI Film Audience Network, which works to support cinemas, film festivals, film societies and community groups across the region.

I started my career at Jacari, a local educational charity that supports children with English as a second language from disadvantaged backgrounds and founded the charity’s first branch in a new location (Bristol) which is still going strong today. Subsequent roles have deepened my understanding of Oxford, it’s diverse communities and the power of art to transform lives — these include over a decade of leadership and fundraising experience at local cultural organisations including The Story Museum, The Ark-T Centre, and Cowley Road Works.

 

Twitter: micaelatuckwell
Letterboxd: micaelatuckwell
Tom Jowett
Tom Jowett

Head of Programming and Partnerships

I came to Oxford in 2006 to study History at Oxford Brookes and I have been here ever since. Prior to joining the UPP as Marketing Manager in 2016, I worked at the Ashmolean Museum and I also ran a small independent record label for a couple of years. While I am now mainly responsible for booking the films and organising events, I can occasionally be found in the cinema’s Box Office selling tickets or behind the bar serving cups of tea. Derby County fan (for my sins).

A few of my favourite films: Eraserhead, Stop Making Sense, Cabaret, The Long Day Closes, A Serious ManHausu, and Uncle Boonmee Who Can Recall His Past Lives.

Email: [email protected] 

 

Kit Finnie
Kit Finnie

Lead Projectionist and Duty Manager

I joined UPP in 2021 as Duty Manager and Projection Room Lead. Working with projectors is something I’ve wanted to do since I was little, visiting my local independent cinema in Lincolnshire. I am still excited by even the most basic processes of ingesting and testing films. As well as working at the UPP, I am a freelance poet and artist. My favourite film is probably La Dolce Vita, though Grease 2 is a close second.

Email: [email protected]

Johanna Huyg

Johanna Huyg

Site Manager and Duty Manager

I joined the UPP in 2021 as one of the duty managers and projectionists and also the Site Manager. Before joining the team I was a youth and community worker and am hoping to bring some of those skills to the world of cinema. My favourite thing about working here is talking to customers about the films as they leave and being part of the UPP family!

Email: [email protected]

Ella Dawson-Gorton

Ella Dawson-Gorton

Duty Manager

After volunteering on Friday nights for almost a year, I’m now the UPP’s newest recruit! Outside the cinema you can find me working or reading in Oxford’s best cafes and libraries, where I’m always available to talk about why Jennifer’s Body deserves to be part of the Criterion Collection.

Letterboxd: ellaisdrowning

Steven Endersby

Steven Endersby

Marketing and Communications Manager

I started at UPP towards the end of the summer in 2025, after a long stint heading up the marketing team at an independent ticket agency. I’m delighted to be working for a cinema I’ve frequented for many years, and love being surrounded by films every day.

Away from UPP, I’m available for freelance marketing work, wistful discussions about Pochettino-era Tottenham Hotspur, and debating whether Revolver or Rubber Soul is peak Beatles.

My Letterboxd top four is Apocalypse Now, The Big Lebowski, The Worst Person in the World and Badlands – although I really need to find room for Empire Records in there. Damn the man, save The Empire!

Email: [email protected]
Letterboxd: enders356

 
 

Our commitment to anti-racism

The UPP is proud to support the Oxford Cultural Anti-Racism Alliance, whose Anti-Racism manifesto was launched in Spring 2021. 

Over the last year, long-standing inequalities in the arts and cultural industries have been exposed more than ever – change is overdue. The cultural community in the city has come together as the Oxford Cultural Anti-Racism Alliance, creating a manifesto and action plan for the forthcoming months and years.

The manifesto shows commitment to change systems, practices and cultures in order to remove racial discrimination, and to address inequalities in representation: Oxford should be a place where ethnically diverse young people can see positive role models in creative leadership roles, find a route into a career in the arts, and establish a strong base for growth and development alongside and within the cultural organisations established here.

Together, twenty one arts and cultural organisations have signed up to the manifesto and pledged collective radical change to ensure a sustainable and diverse arts sector in the city.

 

What's on

Today (Friday 15th May)

15:00

The North 15
2h 13m | Dutch w/ English subtitles
Reuniting after a decade, friends Chris and Lluis undertake a 600km hike across the Scottish Highlands. Shot in sequence, their journey along remote trails becomes a powerful study of friendship and the emotional terrain between reconciliation and self-discovery.

Book here

18:00

Colours of Time 15
2h 6m | French w/ English subtitles
When cousins inherit a Normandy house, they uncover a hidden lineage linking them to ancestor Adèle Munier. As they retrace her journey to Paris amid Impressionism’s rise, past and present intertwine, revealing new identities and unexpected connections across generations.

Book here

20:45

Rose of Nevada 15
1h 54m
When a long-lost fishing boat returns to a Cornish village, hope rises for renewal. Nick and newcomer Liam join a voyage, but return transformed and caught in a haunting time loop. Shot on grainy 16mm, Mark Jenkin (Bait) delivers a haunting, mind-bending folktale.

Book here


Tomorrow (Saturday 16th May)

15:15

Rose of Nevada 15
1h 54m
When a long-lost fishing boat returns to a Cornish village, hope rises for renewal. Nick and newcomer Liam join a voyage, but return transformed and caught in a haunting time loop. Shot on grainy 16mm, Mark Jenkin (Bait) delivers a haunting, mind-bending folktale.

Book here

18:00

The Duke of Burgundy 18
+ Director Q&A
1h 44m
Lovers Cynthia and Evelyn sustain a ritualised relationship shaped by control and desire. As tensions surface, a hypnotic drama explores shifting power and intimacy through striking visuals and a haunting atmosphere. Plus a post-screening Q&A with director Peter Strickland.

Book here

21:00

Pillion 18
1h 47m
A quiet traffic warden life radically shifts when a domineering biker draws him into an unexpected BDSM relationship. Harry Lighton’s fearless BAFTA-nominated debut blends comedy, kink, and tenderness, starring Harry Melling and Alexander Skarsgård.

Book here